Jack's been keeping an eye on Beckett, and he's starting to have to admit to himself that it's not just out of ordinary human concern. He's worried about her, particularly considering the hallucinations she'd had. Which means that he's started to see her as more than an acquaintance. Maybe not quite a friend, yet, but more than just someone whose name he knows.
He's not sure how he feels about this. He doesn't want to get close to anyone; getting close means getting hurt eventually. And it's not himself getting hurt that he's really worried about.
But even with those misgivings he can't not head up to Beckett's room, carrying a tray from Bar with the kinds of things she needs, or should have. Chicken soup, orange juice, ginger ale, kleenex; it might have been Bar's idea, but Jack had been intending to get a few things anyway.
He shifts the tray to one hand so he can knock on the door. He has her key, of course, but he can't be sure she isn't taking a bath to try and cool off or that she wants the company.
He's not sure how he feels about this. He doesn't want to get close to anyone; getting close means getting hurt eventually. And it's not himself getting hurt that he's really worried about.
But even with those misgivings he can't not head up to Beckett's room, carrying a tray from Bar with the kinds of things she needs, or should have. Chicken soup, orange juice, ginger ale, kleenex; it might have been Bar's idea, but Jack had been intending to get a few things anyway.
He shifts the tray to one hand so he can knock on the door. He has her key, of course, but he can't be sure she isn't taking a bath to try and cool off or that she wants the company.
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She's not sure whether or not to be grateful for that.
"Is that a problem?"
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She sets down the thermos, reaching for the orange juice, but cradles it in her hand for a minute.
"But my head's tired, and right now, I can't force myself to be bothered."
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She takes a small sip of OJ.
"Jack, I don't want to pry."
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"You worked for CTU, right? Why did you leave?"
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He knows it's maybe not what she was asking about--why he hadn't worked with CTU after the day he'd met Collette--but it's not just because he's trying to avoid telling her, or just because he finds it difficult to talk about. It's a long story and so many pieces are interconnected that it's hard to give a short, simple answer.
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For safety reasons, obviously, but in all her time working for the 12th Precinct, she's never once had to go into hiding (though there was that case with the Russian mob family, after which Will had kindly suggested she lay low - she'd firmly insisted otherwise, of course).
It's something interesting to consider now, with him here, and she nods in thought.
"But you're not planning to work for them again, whether temporarily or not."
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He doubts CTU would be rushing to hire someone that they believed gave up information that ended in the death of an agent.
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For what, she's not sure. Maybe that he'd had to come to that realization in a way that appears to have been really difficult. Maybe that he'd had to come to that realization at all.
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"CTU takes a lot from your life. I tried starting over, having a real life again once before, but like I said, I ended up back there during a crisis."
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"Here's your chance, then," she tells him. "To get your life back."
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"That's the spirit," she murmurs.
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"This place doesn't seem like too bad a spot to start doing that. Barring the stranger flus that people get here."
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"At least there's enough to do here and outside."
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"It's... therapeutic."
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At the moment he's feeling like a punching bag might be better. It's a little more direct, a little more hands-on, imagining that the punching bag is someone he'd like to beat the hell out of.
"Trying to get tough cases out of your system?" he asks, with a slightly raised eyebrow.
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Beckett scrunches her nose at the option of a punching bag, then shakes her head.
"Tough writers," she adds, with a slow smirk.
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Which sort of defeats the whole purpose.
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